Paul Cézanne and what is reality

cezanne Self-portrait-1887 What is reality and what is our perspective of it; a perplexing question, indeed. Some may think of this as one’s point of view, some may think of it as one’s opinion, some may think of it as one’s judgment. Where fact meet, converge, and often collide can make quite a difference in how we look at ourselves and others.

An ordinary mirror in our homes or the dressing room of a clothing store can take on the eye of an opposing point of view or similar reaction. The mirror may agree with us, whereupon we feel quite content with our dress, or it may show us a rather disagreeable figure of ourselves and we become disgusted with the reflection it has imparted.
Reality of a view or landscape, such as a mountain range, may be met with appreciation of nature’s vestibules or it may be overlooked as an impedance in our journey.

Such is the task of the artist, to present to us a reality that is wholly personal or universal. Sometimes we connect with a painting, feeling that its presence is greater than the canvas it is painted on, and other times our perspective of it falls short and we pass it by with a mere shrug of detachment .

And so, as we go on with our day, we are confronted with the decisions of what is reality. For some it remains unimportant, and for others it is a daily search for truth.

Today’s blog brings back the esteemed thinker: Paul Cézanne (1839-1906), French artist whose work demonstrates mastery of design, color, and the transition from 19th century art to the 20th century. Renown all over the world, Cézanne is considered the father of modern painting.

In his artistic endeavor, I present to you his oil on canvas titled, Mont Sainte–Victoire and the Viaduct of the Arc River Valley. Take a moment to look at his reality through your reality and see where they converge. It is worth a moment out of your hectic day.

Cezanne painting

First image: Cézanne Self-portrait, 1887

2 thoughts on “Paul Cézanne and what is reality

  1. The house we stayed at for two weeks in Aix-en-Provence in May 2103 was about 1/4 mile west of Cézanne’s studio by how the crow flies, and about 5 miles by road. Between the unusually wet weather and everything else we had to do we never made it to his studio. I climbed up onto a hill behind the house where I could get a somewhat unobscured view of Aix over the rooftops, and I could see a similar view of Mont Sainte-Victoire that Cézanne had painted from his studio.

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