Esteemed thinker: Georgia O’Keefe

crayons  If you have ever wondered how some of your classmates may have grown up to be corporate executives one has to look no further than into your childhood. Take a mental sabbatical down memory lane and find your elementary school classroom. Picture a day the teacher asked you to take out of your desk or remove from your cubby the new box of crayons your parents bought for you. Maybe it was purchased the “Five and Dime”, or maybe it was from the toy store. Now, look at yours and then check out your neighbor’s desk. Theirs is not an ordinary box of crayons with just a handful of colors; but the jumbo pack of 64 with the built in sharpener. This is the box of crayons that was coveted by most of the kids. It’s the one that dared to be shared but in order to get inside the sacred lid had to be negotiated. This was the box owned by the student that could wield negotiations with others as if they were at the end of the conference table. To borrow a color would perhaps require relinquishing a turn on the swing, giving up being line-leader, or even handing over a chocolate chip cookie.

Owning such a box of crayons was more than a palette of colors to create pictures to impress the teacher, it was entrance into a world that allotted ‘carte blanc’ privileges; and like flying first class it could even get you window-seat on the school bus!

georgia o'keefeToday’s blog brings you the esteemed thinker” Georgia O’Keefe, (1887-1986) who was born and raised on a farm near Sun Prairie, Wisconsin. Considered one of the most prominent artists of the twentieth century, she began her career by studying at the Art Institute of Chicago (1905–1906) and the Art Students League in New York (1907–1908), where she learned the techniques of traditional realist painting. By 1915 she had begun to develop her own artistic personality, a series of abstract charcoal drawings.
Her relationship as an artist was immediately recognized by Alfred Stieglitz, photographer and owner of the famous 291 gallery; one of the few places in the United States where European avant-garde art was exhibited. Their relationship blossoms into a well-known love affair and eventually they wed.

O’Keefe’s colorful paintings are world renown, depicting landscapes, flowers, and animal bones generated from her time in New York, Lake George area and New Mexico. She was able to create intricate detail, color shadows and distinct nuances on canvas. Her passion for her art and life can be seen in all her work.
I now invite you to read a most colorful excerpt from a letter written to her photographer friend Marie Chabot in 1941. It is not difficult to imagine how she viewed the world.

“It is breathtaking as one rises up over the world one has been living in, looking out at and looks down at it stretching away and away. The Rio Grande, the mountains, then the pattern of rivers, ridges, washes, roads, fields, water holes, wet and dry. Then little lakes, a brown pattern, then after a while as we go over the Amarillo country, a fascinating restrained pattern of different greens and cooler browns on the square and on the bias with a few curved shades and many lakes. It is very handsome way off into the level distance, fantastically handsome – like marvelous rug patterns of maybe ‘Abstract Paintings’…”

Georgia O'Keefe landscape

Black Mesa Landscape, New Mexico/Out Back of Marie’s II, 1930, Oil on canvas mounted to board

 

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