There is little doubt that 21st century technology has offered most of us advantages over those of the past. We are able to transport ourselves with little effort, feed ourselves with little strife, and communicate with the same degree of ease. Simple chores, such as laundering our clothes and cleaning our homes are no longer grueling; all easily accomplished using modern day conveniences.
However, hard as we try, when it comes to producing exquisite images… Mother Nature still out does even the most up to date cameras. And though we have come a long way from the first image makers, earth’s natural splendor from the beginning of time is still superlative. Her winter vistas produce the most daunting of black and whites while springtime, autumn, and summer test the boundaries of original colors beyond any means we can imagine.
Alas, with her infinite array of vistas and spectacles, we are only privy to her delights for a wink of time. Like a lovely dream we try to remember, so are her dawns, her sunsets, her sun showers so very elegant. All she asks of us is to indulge in these fleeting moments and then… sigh; for no modern trick nor gimmick can hope to offer such a grand performance as hers.
Today’s blog returns the esteemed thinker: Alfred Stieglitz (1864-1946 b. Hoboken, New Jersey.), the innovative photographer and art promoter who received his formal education in engineering in Germany. Upon his return to the New York City in 1890, he set his sights on establishing photography as a “legitimate” form of art. In his early career he began to promote photograph as ‘art’, comparing his use of the camera as a tool to an artist and his/her paintbrush. Stieglitz’s artistic and creative talents harnessed the use of natural elements, such a weather, to create effects he wished to achieve and the camera’s focusing abilities to soften the frames.
In 1905, he founded the Little Galleries of the Photo-Secession at 291 Fifth Avenue in New York, with Edward Steichen, which later became known simply as ‘291’. Here he succeeded to elevate photography to the status of sculpture and painting.
In 1917, he met the much younger American painter Georgia O’Keeffe, who became his lover and finally his wife in 1924. Over a period of 20 years, he had taken over 300 individual pictures of her, demonstrating his unique and undeniable artistic ability to capture many facets of a single subject.
Let us know take time out from your hectic day to ruminate a most inventive work of art; a platinum print by the renown Alfred Stieglitz titled “Out of the Window” (1925). It is certainly one even Mother Nature would sit up and take notice of…after all…she did have much to do with its creation!